On other scales do the same, up with 1st fingers on the last 2 fifth note in the scale and down with first finger pressed and then also the next tone in the scale (the finger playing the forth in the scale) also pressed. Make a glissando so you can hear were you are during the position change. Do instead as I wrote above, using this technique the hand position is always the same and you will not have speed and intonation problems later on.ģ.rd - when training go slow. SO not the fingers stretching to the next position and the hand and arm following. The hand/arm position should not change from having one or more fingers). (Think that when the 4th finger is playing that is probably the perfect position to have already from the first finger. The arm goes up/down first and the hand follow. Less work actually.Ģ.nd - Always change position with the arm and not with the fingers. And keep the first finger until it has to go up. ![]() The fisrt finger is there, pressed, when you change position even if C is the note you want after D on the way down. This will give you a reference/anchor for the other fingers to tune with and help the hand/arm to be stable on each position. On the way up leave the fisrt finger pressed thru other notes/fingers. There are three aspects that are of big importance for being able to tune properly and to have a good technique for changing position.ġ.st - Always know were your first finger is when changing position. The second position change will be down to first position (having the B with first finger) the C will be second finger. On the way down (taking A in the E string with first finger) the C will be 3rd finger on 3rd position. And up again to the fifth position in the E string taking again D with the first finger. On the way up, the most used fingering is to go up on the A string to the 3rd position, take D with first finger. String G and D should be just first position. I posted some images of the part/notes were there are position changes happening. Here is the fingering for the G scale (starting from from open G string) The most of it fits all the other scales. You will see they include two suggested fingerings, one above and one below the stave. The ABRSM (the exam board of the Royal Schools of Music) includes a three octave G major in its Grade 7 violin scales: There's a runners adage "race your strengths and train your weaknesses" and exams are a moment to demonstrate practised strengths. However, for grade exams we need to demonstrate our mastery of a scale to an examiner and then we need to get one fingering as close to perfect as we can. So it makes sense to learn our scales in many different positions and starting points and fingerings. It doesn’t matter if you start from scratch or if you’ve already gone through all the lessons from the last couple of weeks, now is your chance to pick up your guitar, take this valuable guitar lesson of the one-octave major scale patterns and work on it every day. Thus when we encounter a piece of new music (which may or may not include fragments of scales) our fingers know where to go. Good day everyone, today I’ve put together all the lessons from the One-Octave Major Scale Guitar Series into one complete lesson. These sounds will definitely give your productions a unique flavor! Not to mention the ability to play them in unique microtone scales.I'd say there is no "standard fingering".Īsk yourself the question "Why learn scales?" It could be that once, walking down the street, you heard the sound of a beginner violinist practising his or her scale work over and over and over again and you thought "That is such a beautiful run of notes I must learn that too."īut for most of us scales are a means to an end, and the end is increasing mastery of keys and their fingering. The library includes over 200 sounds, ranging from reeds and bowed instruments to wind instruments, and more. Orient Express is Kontakt’s unique library that will take you on a sonic journey from Europe to the Balkans, from the Middle East to the Far East and everywhere in between. Middle East, from the Balkans to the Middle East with over 200 sounds included in the Orient Express Kontakt library. 2.nd - Always change position with the arm and not with the fingers.
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